Ⅰ Main Report
1 Obtain New Driving forces and Reactivate the Process of
China’s Culture Industries
....................... Special Group for Main Report, Zhang Xiaoming,
Hu Huilin and Zhang Jiangang/001
Ⅱ Overview
2 Develop Culture Industries and Give Impetus to the Construction of
Advanced Socialist Culture...............................Wang Weiguang/012
3 Insist of the Principles of Overall Plan and Scientific Layout,
Promote further the Construction of
Culture Industries Zones and Base..........................Ouyang Jian/017
4 Report on the Financial Development of China’s Industries in 2010
.............................................................. Lan Pei/023
Ⅲ Specialist Forum
5 On Some Problems Regarding the Culture Industries Development
......................................................... Gao Shusheng/035
6 2009 UNESCO framework for cultural statistics
..................................... UNESCO Institute for Statistics/044
7 Some Commonts on “the Srategy of the Pilot Projects of
China’s Culture Industries” ...........................Kong Jianhua/064
8 Working Model of Witkey: A New Type of Creative Industries
with a Promising Future ................................... Jin Yuanpu/074
9 Considerations on the Creation of Culture Industries Investment
Fund Led by Government ..................................... Song Yang/080
10 On the Policy of China’s Ocean Culture under the Background
of Globalization ........................................ Wang Wenhong/094
Ⅳ Industry Report
11 General Survey on China’s Publication Industry in 2009-2010
...........................................................Xu Shengguo/103
12 Report on China’s Movie Industry in 2010 .........Yin Hong, Cheng Wen/113
13 The Present Situation and Its Direction of the Development
of China’s Media Advertisement Industry in 2010-2011
....................................... Huang Shengmin, Shao Huadong/134
14 Report on the Development of China’s Digital Content Industries
in 2010 .......................................... Zhao Zizhong, Xu Qi/142
15 Report on the Development of China’s Antiquities and
Arts Market in 2010 .........................................Lin Rikui/158
16 Saving the Changing Power: Report on China’s Magazine Industry
in 2009-2010 .............................................. Song Gexin/169
Ⅴ Regional Report
17 Strategic Option and Model Innovation of the Culture Industries
during the Period of “The 12th Five-Year Plan”of
Bin Hai New District, Tian Jin .............................. Wang Lin/182
18 Culture Industries in Xi An: The Time for Their Great Development
and Great Prosperity ........................ Wang Zuoquan, Ma Hongbin/193
Ⅵ Foreign Cultural Industries
19 The Cultural and Creative Industries: A Review of
the Literature (extract) ............................. Jastin O’onnor/201
Ⅶ Case Study
20 Private Owned Book Industry: It Development and Crisis .......Bao Hong/217
21 Review the Development of China’s Animation Industry:
From the Business Model of “he Lotus Lamp”to
that of “Alpha” ................................... Su feng, Wang Li/224
22 Some Comments on “Google Event”.......................... Liu Ciuxia/232
Ⅷ Statistical Topic
23 Meet the Concerted Increasing Need of China’s Cultural Consumption
..................................................Wang Yanan, Liu Ting/242
Ⅸ Chronicle of Events
24 Events of China’s Cultural Industries Development in 2010
.......................................... Song Cunyang, Wang Yingying/259
Invitation for Articles ................................................../278
Blue Book of Culture: Report on the Development of China’s Cultural Industries, 2011 is the tenth annual report about China’s cultural industries, jointly prepared and produced by the Research Center of Humanities of CASS, the Ministry of Culture and National Cultural Industries Innovation and Development Academe of the Shanghai Jiaotong University.
This book remains the basic framework available in the last ten years. The column Main Report, Overview and Specialist Forum aim mainly at providing overall evaluations, analyses, predictions and countermeasure advices about China’s culture industries, meanwhile Industry Report, Regional Report, Case Study and Statistical Topics focus specially on giving concrete descriptions and case analyses about different culture industries or the culture industries in different regions. Foreign Culture Industry intends to give a panorama introduction about the theory and practice of the development of global culture industry.
The main report provided by its special group still constitutes the core part of the whole book. It points out that the macro economic environment in the coming period of the 12th Five-Year Plan will surely be favorable for the development of culture industries, but for modern China’s culture industries as a whole, quality improving is much more important than quantity expansion. It requires us to explore new way of thinking, to attempt new method of working and to improve substantially the relevant system, institution and policy environment. Only the institutional environment improving can speed up the process of China’s culture industries and fulfill one of the goals set by the 12th Five-Year Plan, namely to make culture industry as a strategic pillar industry for China’s national economy. On the contrary, if the management system and relevant institution lack a stable and correct value tropism and the policies keep wavering unpredictably, the culture industries would go slowly and stiffly.
According to main report, five key points are determinative for China’s culture industries to make great progress in the period of 12th Five-Year Plan: firstly, fully release the consumers culture consumption need; secondly, join the structure adjustment of national economy and take the advantage of culture industry as a productive service industry; thirdly, foster different kinds of newtype culture industry and realize the leaping development of China’s culture industry; fourthly, enhance the new-type urban culture economy and promote concerted development among different regions; last but not least, optimize the structure of culture export trade.
In order to accomplish above mentioned tasks smoothly, we have to put the concept if culture development center place of our national strategy; to redefine the target of our national culture institution reform and admits that the market plays a fundamental role in distributing culture resource; to reiterate the idea that culture market needs to get driving forces either from the state or from the private sectors.